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Reviews
‘Diabolic’ Review: Slow-burn horror goes off the rails
‘Redux Redux’ Review: Revenge repeating across timelines
‘Nirvanna the Band the Show the Movie’ Review: Parodic love letter to a city and cinema itself
‘The Observance’ Review: Cult thriller with ideas on its mind
‘Mimics’ Review: Horrors of fame through ventriloquism
‘Cold Storage’ Review: Gooey B-movie fun
‘Wuthering Heights’ Review: Powerful start, painful finish
‘Good Luck, Have Fun, Don’t Die’ Review: Pure chaos, pure cinema
‘Crime 101’ Review: Big performances fuel ambitious heist story
‘OBEX’ Review: A strange, heartfelt journey into isolation
‘The Arborist’ Review: Story gets lost in the woods
‘Twisted’ Review: Bousman delivers gore and surprises
‘Dracula’ Review: Overlong gothic parody
‘The Strangers – Chapter 3’ Review: A trilogy that ends with a thud
‘Dead, White and Blue’ Review: Satire recycled from America’s past
‘Grizzly Night’ Review: Restrained take on real-life horror
‘Shelter’ Review: By-the-numbers Jason Statham action
‘Iron Lung’ Review: Markiplier’s debut is striking but exhausting
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