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Kevin's Film Reviews

Kevin's Film Reviews

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    • 2024 Movies
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‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

by Kevin Burd April 2, 2026
‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

by Kevin Burd March 17, 2026
‘Michael’ Review: All music, no depth

‘Michael’ Review: All music, no depth

by Kevin Burd April 24, 2026
‘The Mandalorian and Grogu’ Review: ‘Star Wars’ settles for just OK

‘The Mandalorian and Grogu’ Review: ‘Star Wars’ settles for just OK

by Kevin Burd May 26, 2026
‘Scream 7’ Review: Running out of juice

‘Scream 7’ Review: Running out of juice

by Kevin Burd February 27, 2026
‘Obsession’ Review: Romance turns sinister in modern love story

‘Obsession’ Review: Romance turns sinister in modern love story

by Kevin Burd May 15, 2026
‘Wuthering Heights’ Review: Powerful start, painful finish

‘Wuthering Heights’ Review: Powerful start, painful finish

by Kevin Burd February 13, 2026
‘Backrooms’ Review: Internet creepypasta brought to life

‘Backrooms’ Review: Internet creepypasta brought to life

by Kevin Burd May 29, 2026
  • ‘Scary Movie’ (2026) Review: Wayans return in hit-or-miss spoof

    ‘Scary Movie’ (2026) Review: Wayans return in hit-or-miss spoof

  • ‘Carolina Caroline’ Review: Strong chemistry fuels southern crime thriller

    ‘Carolina Caroline’ Review: Strong chemistry fuels southern crime thriller

  • ‘Signal One’ Review: Big ideas buried beneath explanation

    ‘Signal One’ Review: Big ideas buried beneath explanation

  • ‘Weekend at the End of the World’ Review: Cosmic indie adventure

    ‘Weekend at the End of the World’ Review: Cosmic indie adventure

  • ‘sMOTHERed’ Review: Intriguing mystery that loses its way

    ‘sMOTHERed’ Review: Intriguing mystery that loses its way

  • ‘Pressure’ Review: The battle before D-Day

    ‘Pressure’ Review: The battle before D-Day

  • ‘The Breadwinner’ Review: A comedy 40 years past its prime

    ‘The Breadwinner’ Review: A comedy 40 years past its prime

  • ‘Backrooms’ Review: Internet creepypasta brought to life

    ‘Backrooms’ Review: Internet creepypasta brought to life

  • ‘I Love Boosters’ Review: DIY fever dream about capitalism

    ‘I Love Boosters’ Review: DIY fever dream about capitalism

  • ‘Passenger’ Review: Highway horror takes the wrong exit

    ‘Passenger’ Review: Highway horror takes the wrong exit

  • ‘The Mandalorian and Grogu’ Review: ‘Star Wars’ settles for just OK

    ‘The Mandalorian and Grogu’ Review: ‘Star Wars’ settles for just OK

  • ‘Reckless’ Review: Grime music and gimmicks collide

    ‘Reckless’ Review: Grime music and gimmicks collide

  • ‘The Moment’ Review: Charli xcx powers visually striking satire

    ‘The Moment’ Review: Charli xcx powers visually striking satire

  • ‘To Love a Narcissist’ Review: Portrait of toxic love

    ‘To Love a Narcissist’ Review: Portrait of toxic love

  • ‘Driver’s Ed’ Review: High school hijinks with surprising charm

    ‘Driver’s Ed’ Review: High school hijinks with surprising charm

  • ‘Is God Is’ Review: Twin bond highlights revenge story

    ‘Is God Is’ Review: Twin bond highlights revenge story

  • ‘In the Grey’ Review: Endless exposition drowns the action

    ‘In the Grey’ Review: Endless exposition drowns the action

  • ‘Obsession’ Review: Romance turns sinister in modern love story

    ‘Obsession’ Review: Romance turns sinister in modern love story

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