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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

by Kevin Burd August 1, 2026

‘The Odyssey’ Review: Nolan conquers unadaptable epic

‘The Odyssey’ Review: Nolan conquers unadaptable epic

by Kevin Burd July 18, 2026

‘Toy Story 5’ Review: Timely story about play in the digital age

‘Toy Story 5’ Review: Timely story about play in the digital age

by Kevin Burd June 19, 2026

‘Michael’ Review: All music, no depth

‘Michael’ Review: All music, no depth

by Kevin Burd April 24, 2026

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

by Kevin Burd April 2, 2026

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

by Kevin Burd March 17, 2026

‘Obsession’ Review: Romance turns sinister in modern love story

‘Obsession’ Review: Romance turns sinister in modern love story

by Kevin Burd May 15, 2026

‘Backrooms’ Review: Internet creepypasta brought to life

‘Backrooms’ Review: Internet creepypasta brought to life

by Kevin Burd May 29, 2026

‘The Social Reckoning’ Review: Flat follow-up to ‘The Social Network’
‘Once Upon a Time in the Middle East’ Review: Brutal and beautiful war epic
‘Other Mommy’ Review: Jump scares without the suspense
‘The Jesus Tapes’ Review: Jesus becomes a media sensation
‘Carlton Taylor’ Has Major Problems’ Review: Goofy, confusing and surprisingly thoughtful
‘I Hate Myself and Want to Die’ Review: Finding a reason to keep going
‘His Monster’ Review: Moving story of recovery in Shojo Monster tale
‘Digger’ Review: Superb in spurts and plain bad in others
‘Creature Fear’ Review: Fear takes many different forms
‘The Cuckoo Clock’ Review: A talking clock is just a piece of the horror
‘Verity’ Review: All bark and no bite
‘Ghost in the Cell’ Review: Prison horror goes to the extreme in every aspect
Indie Roundup: 10 movies I watched in September 2026
‘The Nice Ones’ Review: A world without darkness isn’t so nice
‘Primetime’ Review: Doing good versus being good
‘Never After Dark’ Review: Haunted house horror blends ‘The Shining’ and ‘The Conjuring’
‘The Stunt Driver’ Review: Death-defying dream comes at a cost
‘The Deputy’ Review: Messy world with an even messier character

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