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Kevin Burd
‘Colony’ Review: Not ‘Train to Busan,’ but close
‘Spades’ Review: Passion project that plays its own hand
‘Mutiny’ Review: Jason Statham takes a boat
‘Hot Spot’ Review: Stunning portrait of nothingness
‘Paper Flowers’ Review: Making the most of the time that’s left
‘Dementium’ Review: Twisted journey into the past
‘The End of Oak Street’ Review: Dinosaurs are scary again
‘The Birthday Party’ Review: Willem Dafoe brings energy to boring celebration
‘Union County’ Review: Searching for hope amid the opioid epidemic
‘The Wrong Girls’ Review: Stoner comedy that’s too half-baked
‘Do Us Part’ Review: Wedding disaster that finds its heart
‘Ice Cream Man’ Review: Horror treat that melts away
‘One Night Only’ Review: Aimless sex comedy with no punchline
‘The Last House’ Review: Exercise in patience that never pays off
‘The Run’ Review: Bleak world in search of a stronger story
‘Olmo’ Review: Growing up amid family hardships
‘The Clutterbucks’ Review: Modern political divide with futuristic twist
‘SOULM8TE’ Review: Sex, silliness and sci-fi
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