Robert Eggers is an undoubtedly talented filmmaker, but a lot of his films are either hit-or-miss. I enjoyed “The VVitch,” loved “The Lighthouse” and disliked “The Northman.”
As for “Nosferatu,” it’s just… boring.
A Gothic Revival With a Modern Edge
“Nosferatu” reimagines the 1922 silent classic, following Thomas Hutter as he journeys to Transylvania for a meeting with the eerie Count Orlok. Back home, his wife Ellen is tormented by an evil force while under the care of friends. The setup honors its source material but layers in a contemporary visual flair and a longer runtime that doesn’t always serve the story.
Despite its ambition, the 132-minute film struggles to maintain momentum. The middle act sparks some much-needed energy, thanks in large part to Willem Dafoe’s electric performance as Professor Albin Eberhart Von Franz and several hypnotic visuals.
But the first and third acts drag. Pacing issues make it difficult to stay fully engaged, and the film never quite earns the emotional weight it’s reaching for.
Skarsgård’s Terrifying Transformation
Bill Skarsgård is the undeniable standout. As Count Orlok, he fully disappears into the role – his grotesque physicality and guttural voice create a chilling presence every time he appears. It’s a masterclass in transformation, and his unsettling performance injects life into every scene he inhabits.
Lily-Rose Depp and Nicholas Hoult also deliver strong work as Ellen and Thomas. Depp, in particular, proves her range, capturing Ellen’s fragility and inner strength with grace.
Still, a few supporting performances feel jarringly theatrical, breaking the tone and pulling focus from the more nuanced acting elsewhere. These moments undermine the atmosphere the film works so hard to build.
Style Over Staying Power
What “Nosferatu” lacks in narrative drive, it attempts to make up for with atmosphere. The visuals are striking and distinct, drenched in shadows and muted tones that evoke dread even when little is happening. Creative transitions and stylistic flourishes give it a signature look. The sound design also deserves credit, with its careful layering of whispers, creaks and crescendos helping to amplify tension and fear.
There’s no denying the craftsmanship behind the camera. Director Robert Eggers brings his signature touch to the project, balancing period detail with surreal horror. The intent is admirable, and the technical artistry is often mesmerizing.
But even with its strong cast, elegant visuals and legacy title, “Nosferatu” doesn’t resonate emotionally. It’s easy to admire from a distance but harder to connect with. While others may find it deeply affecting or stylistically brilliant, this version of “Nosferatu” fails to leave a lasting impression – and for some, one viewing will be more than enough.
Rating: 2.5 out of 5
