“The Roses” follows picture-perfect couple Theo and Ivy, as fierce competition and hidden resentments emerge when Theo’s career nosedives and Ivy’s own ambitions take off.
Directed by Jay Roach, the film serves as a modern reimagining of Danny DeVito’s 1989 classic “The War of the Roses.”
This is an intriguing analysis of relationships – both the good and the bad – explored through comedy, drama and theatrics.
Love, Ego and Ambition
“The Roses” succeeds at showcasing how egos, ambition and pride can cause the downfall of a loving relationship. At the same time, it shows how love can persist through all of this – almost simultaneously.
Amidst the theatrics is an emotionally driven story. Relationships do fall apart, and “The Roses” captures how this can happen. By putting such emphasis on the characters, the film places you in both of their shoes. That perspective gives the story a personalized feel, as you often relate to both sides.
With all of the chaos, though, the film loses some of its heart. What begins as a streamlined love story turns into something closer to a stage production. It loses realism in the process, softening the emotional payoff.
It’s also surprisingly surface level; diving into modern relationship complexities, but only to a degree. The film doesn’t have much to say on a serious note, focusing more on the comedy.
Performances That Carry the Story
Benedict Cumberbatch (Theo) and Olivia Colman (Ivy) steal the show. Whether they’re hurling insults or showing affection, the two bounce off each other with sharp timing. Cumberbatch reveals his character’s quirky, emotional side, while Colman delivers quick-witted barbs with effortless charm.
Andy Samberg (Barry) is a pleasant surprise as well. He lights up the screen in every appearance, providing a lively contrast to Cumberbatch and Colman’s more volatile dynamic.
A Balance of Chaos and Charm
On a visual level, the film is striking. Brief flashes of CGI and visual effects stand out, complemented by vibrant colors and crisp editing that keep the pace moving. Even the simplest of shots look beautiful in “The Roses.”
The first half of “The Roses” takes its time setting the stage before collapsing into controlled chaos in the second half. The film peaks near the midway point and never takes its foot off the gas.
The final hour is packed with laughs, tears and full-blown dramatics. At times it’s serious, at others exaggerated to the extreme. That inconsistency can be jarring, but it’s also part of the film’s charm. The swings between moods make for an undeniably entertaining ride.
“The Roses” benefits from a downright hilarious, emotional and theatrical final hour. Cumberbatch and Colman pull out all the stops to bring these characters to life in dramatic fashion. The film doesn’t always stick the landing, but there are plenty of laughs – and maybe even tears – to be had.
Rating: 3 out of 5
