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Kevin's Film Reviews

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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

by Kevin Burd August 1, 2026
‘The Odyssey’ Review: Nolan conquers unadaptable epic

‘The Odyssey’ Review: Nolan conquers unadaptable epic

by Kevin Burd July 18, 2026
‘Toy Story 5’ Review: Timely story about play in the digital age

‘Toy Story 5’ Review: Timely story about play in the digital age

by Kevin Burd June 19, 2026
‘Michael’ Review: All music, no depth

‘Michael’ Review: All music, no depth

by Kevin Burd April 24, 2026
‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

by Kevin Burd April 2, 2026
‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

by Kevin Burd March 17, 2026
‘Obsession’ Review: Romance turns sinister in modern love story

‘Obsession’ Review: Romance turns sinister in modern love story

by Kevin Burd May 15, 2026
‘Backrooms’ Review: Internet creepypasta brought to life

‘Backrooms’ Review: Internet creepypasta brought to life

by Kevin Burd May 29, 2026
  • ‘Holy Days’ Review: Faith-based story that welcomes everyone

    ‘Holy Days’ Review: Faith-based story that welcomes everyone

  • ‘Pretty Lethal’ Review: Bloody ballerina action without balance

    ‘Pretty Lethal’ Review: Bloody ballerina action without balance

  • ‘The Infinite Husk’ Review: Exploring what it means to be human

    ‘The Infinite Husk’ Review: Exploring what it means to be human

  • ‘Preschool’ Review: Familiar comedy that knows its audience

    ‘Preschool’ Review: Familiar comedy that knows its audience

  • ‘Do Not Enter’ Review: Gen Z horror gets lost in the noise

    ‘Do Not Enter’ Review: Gen Z horror gets lost in the noise

  • ‘Ready or Not 2: Here I Come’ Review: Bigger, bloodier but not better

    ‘Ready or Not 2: Here I Come’ Review: Bigger, bloodier but not better

  • ‘The Hermit’ Review: Cannibal slasher with too much lore

    ‘The Hermit’ Review: Cannibal slasher with too much lore

  • ‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

    ‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

  • ‘This Is Not a Test’ Review: Character-driven zombie apocalypse

    ‘This Is Not a Test’ Review: Character-driven zombie apocalypse

  • ‘Slanted’ Review: Strong themes, predictable story

    ‘Slanted’ Review: Strong themes, predictable story

  • ‘Reminders of Him’ Review: Serviceable Colleen Hoover adaptation

    ‘Reminders of Him’ Review: Serviceable Colleen Hoover adaptation

  • ‘Undertone’ Review: Amplified scares in podcast form

    ‘Undertone’ Review: Amplified scares in podcast form

  • Ranking the Oscars 2026 Best Picture nominees

    Ranking the Oscars 2026 Best Picture nominees

  • ‘Bodycam’ Review: Found-footage horror that keeps getting stranger

    ‘Bodycam’ Review: Found-footage horror that keeps getting stranger

  • ‘Scared to Death’ Review: Meta horror-comedy with cult potential

    ‘Scared to Death’ Review: Meta horror-comedy with cult potential

  • ‘Blood Barn’ Review: Retro horror fun with buckets of blood

    ‘Blood Barn’ Review: Retro horror fun with buckets of blood

  • ‘All Is Fine in ’89’ Review: Nostalgia and heavy themes collide

    ‘All Is Fine in ’89’ Review: Nostalgia and heavy themes collide

  • ‘Dolly’ Review: Creepy killer elevates simple horror story

    ‘Dolly’ Review: Creepy killer elevates simple horror story

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