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Kevin's Film Reviews

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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

by Kevin Burd August 1, 2026
‘The Odyssey’ Review: Nolan conquers unadaptable epic

‘The Odyssey’ Review: Nolan conquers unadaptable epic

by Kevin Burd July 18, 2026
‘Toy Story 5’ Review: Timely story about play in the digital age

‘Toy Story 5’ Review: Timely story about play in the digital age

by Kevin Burd June 19, 2026
‘Michael’ Review: All music, no depth

‘Michael’ Review: All music, no depth

by Kevin Burd April 24, 2026
‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

by Kevin Burd April 2, 2026
‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

by Kevin Burd March 17, 2026
‘Obsession’ Review: Romance turns sinister in modern love story

‘Obsession’ Review: Romance turns sinister in modern love story

by Kevin Burd May 15, 2026
‘Backrooms’ Review: Internet creepypasta brought to life

‘Backrooms’ Review: Internet creepypasta brought to life

by Kevin Burd May 29, 2026
  • ‘Anaconda’ (2025) Review: Bloodless reboot with no fangs

    ‘Anaconda’ (2025) Review: Bloodless reboot with no fangs

  • ‘Marty Supreme’ Review: Chalamet serves an all-time performance

    ‘Marty Supreme’ Review: Chalamet serves an all-time performance

  • ‘Sorry, Baby’ Review: A nonlinear view of healing and life itself

    ‘Sorry, Baby’ Review: A nonlinear view of healing and life itself

  • ‘Relay’ Review: Throwback thriller told one call at a time

    ‘Relay’ Review: Throwback thriller told one call at a time

  • ‘The SpongeBob Movie: Search for SquarePants’ Review: Ba-ha-ha worthy return

    ‘The SpongeBob Movie: Search for SquarePants’ Review: Ba-ha-ha worthy return

  • ‘The Housemaid’ Review: Twists without an identity

    ‘The Housemaid’ Review: Twists without an identity

  • ‘Avatar: Fire and Ash’ Review: Pandora burns brighter than ever

    ‘Avatar: Fire and Ash’ Review: Pandora burns brighter than ever

  • Remembering ‘The Shining’ 45 years later: Kubrick’s horror lingers

    Remembering ‘The Shining’ 45 years later: Kubrick’s horror lingers

  • ‘It Was Just an Accident’ Review: A quiet yet bold act of resistance

    ‘It Was Just an Accident’ Review: A quiet yet bold act of resistance

  • ‘Wake Up Dead Man: A Knives Out Mystery’ Review: Benoit Blanc faces faith and falsehood

    ‘Wake Up Dead Man: A Knives Out Mystery’ Review: Benoit Blanc faces faith and falsehood

  • ‘Silent Night, Deadly Night’ (2025) Review: Santa slays in messy but fun remake

    ‘Silent Night, Deadly Night’ (2025) Review: Santa slays in messy but fun remake

  • ‘Black Bag’ Review: Muted spy drama thrives on ambiguity

    ‘Black Bag’ Review: Muted spy drama thrives on ambiguity

  • ‘Man Finds Tape’ Review: Ambitious horror with mixed results

    ‘Man Finds Tape’ Review: Ambitious horror with mixed results

  • ‘Jay Kelly’ Review: Hollywood story with human heartbeat

    ‘Jay Kelly’ Review: Hollywood story with human heartbeat

  • ‘Hamnet’ Review: Visually rich but exhausting story of loss

    ‘Hamnet’ Review: Visually rich but exhausting story of loss

  • ‘Five Nights at Freddy’s 2’ Review: Animatronic chaos can’t save lifeless sequel

    ‘Five Nights at Freddy’s 2’ Review: Animatronic chaos can’t save lifeless sequel

  • The Netflix, Warner Bros. merger is terrible – for everyone

    The Netflix, Warner Bros. merger is terrible – for everyone

  • ‘Sentimental Value’ Review: Fractured story with a full heart

    ‘Sentimental Value’ Review: Fractured story with a full heart

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