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Kevin's Film Reviews

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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

by Kevin Burd August 1, 2026
‘The Odyssey’ Review: Nolan conquers unadaptable epic

‘The Odyssey’ Review: Nolan conquers unadaptable epic

by Kevin Burd July 18, 2026
‘Toy Story 5’ Review: Timely story about play in the digital age

‘Toy Story 5’ Review: Timely story about play in the digital age

by Kevin Burd June 19, 2026
‘Michael’ Review: All music, no depth

‘Michael’ Review: All music, no depth

by Kevin Burd April 24, 2026
‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

by Kevin Burd April 2, 2026
‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

by Kevin Burd March 17, 2026
‘Obsession’ Review: Romance turns sinister in modern love story

‘Obsession’ Review: Romance turns sinister in modern love story

by Kevin Burd May 15, 2026
‘Backrooms’ Review: Internet creepypasta brought to life

‘Backrooms’ Review: Internet creepypasta brought to life

by Kevin Burd May 29, 2026
  • ‘Until Dawn’ Review: Horror thrills stuck on repeat

    ‘Until Dawn’ Review: Horror thrills stuck on repeat

  • ‘Elio’ Review: Cosmic coming-of-age story with heart

    ‘Elio’ Review: Cosmic coming-of-age story with heart

  • ‘The Thing with Feathers’ Review: Where sorrow takes shape

    ‘The Thing with Feathers’ Review: Where sorrow takes shape

  • ‘Jingle Bell Heist’ Review: Messy but mildly merry holiday romp

    ‘Jingle Bell Heist’ Review: Messy but mildly merry holiday romp

  • ‘Eternity’ Review: Rom-com makes the afterlife feel alive

    ‘Eternity’ Review: Rom-com makes the afterlife feel alive

  • ‘How to Start a Cult in 5-Easy Steps’ Review: A sharp and scrappy satire

    ‘How to Start a Cult in 5-Easy Steps’ Review: A sharp and scrappy satire

  • ‘Train Dreams’ Review: A quiet life told with breathtaking power

    ‘Train Dreams’ Review: A quiet life told with breathtaking power

  • ‘Rental Family’ Review: Hired affection becomes something real

    ‘Rental Family’ Review: Hired affection becomes something real

  • ‘Wicked: For Good’ Review: A second act that turns Oz for worse

    ‘Wicked: For Good’ Review: A second act that turns Oz for worse

  • ‘The Carpenter’s Son’ Review: Risky religious horror that pays off

    ‘The Carpenter’s Son’ Review: Risky religious horror that pays off

  • ‘The Running Man’ Review: Glen Powell powers messy adaptation

    ‘The Running Man’ Review: Glen Powell powers messy adaptation

  • ‘Keeper’ Review: Not worth keeping

    ‘Keeper’ Review: Not worth keeping

  • ‘Now You See Me: Now You Don’t’ Review: Magic returns with new ensemble

    ‘Now You See Me: Now You Don’t’ Review: Magic returns with new ensemble

  • ‘Nuremberg’ Review: Confronting evil through uneasy reflection

    ‘Nuremberg’ Review: Confronting evil through uneasy reflection

  • ‘Frankenstein’ Review: Stitched together, but left uncharged

    ‘Frankenstein’ Review: Stitched together, but left uncharged

  • ‘Die My Love’ Review: Portrait of pain without relief

    ‘Die My Love’ Review: Portrait of pain without relief

  • ‘Predator: Badlands’ Review: A sci-fi beast with heart

    ‘Predator: Badlands’ Review: A sci-fi beast with heart

  • Remembering ‘Back to the Future’ 40 years later: A timeless classic

    Remembering ‘Back to the Future’ 40 years later: A timeless classic

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