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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

by Kevin Burd August 1, 2026
‘The Odyssey’ Review: Nolan conquers unadaptable epic

‘The Odyssey’ Review: Nolan conquers unadaptable epic

by Kevin Burd July 18, 2026
‘Toy Story 5’ Review: Timely story about play in the digital age

‘Toy Story 5’ Review: Timely story about play in the digital age

by Kevin Burd June 19, 2026
‘Michael’ Review: All music, no depth

‘Michael’ Review: All music, no depth

by Kevin Burd April 24, 2026
‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

by Kevin Burd April 2, 2026
‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

by Kevin Burd March 17, 2026
‘Obsession’ Review: Romance turns sinister in modern love story

‘Obsession’ Review: Romance turns sinister in modern love story

by Kevin Burd May 15, 2026
‘Backrooms’ Review: Internet creepypasta brought to life

‘Backrooms’ Review: Internet creepypasta brought to life

by Kevin Burd May 29, 2026
  • ‘The Roses’ Review: A theatrical take on modern love

    ‘The Roses’ Review: A theatrical take on modern love

  • Revisiting ‘The Empty Man’: A cult classic lost to circumstance

    Revisiting ‘The Empty Man’: A cult classic lost to circumstance

  • ‘Eden’ Review: Survival, seduction and a search for utopia

    ‘Eden’ Review: Survival, seduction and a search for utopia

  • ‘Eenie Meanie’ Review: Samara Weaving keeps stalled thriller alive

    ‘Eenie Meanie’ Review: Samara Weaving keeps stalled thriller alive

  • ‘Honey Don’t!’ Review: A mystery not worth solving

    ‘Honey Don’t!’ Review: A mystery not worth solving

  • ‘Jimmy and Stiggs’ Review: Chaos, color and cult appeal

    ‘Jimmy and Stiggs’ Review: Chaos, color and cult appeal

  • Remembering ‘The Texas Chain Saw Massacre’: Horror carved in history

    Remembering ‘The Texas Chain Saw Massacre’: Horror carved in history

  • Revisiting ‘Eddington’: Laughing through the chaos

    Revisiting ‘Eddington’: Laughing through the chaos

  • ‘Nobody 2’ Review: Odenkirk carries an otherwise hollow sequel

    ‘Nobody 2’ Review: Odenkirk carries an otherwise hollow sequel

  • ‘Strange Harvest’ Review: Real terror with a supernatural twist

    ‘Strange Harvest’ Review: Real terror with a supernatural twist

  • ‘Weapons’ Review: A genre-bending nightmare worth the wait

    ‘Weapons’ Review: A genre-bending nightmare worth the wait

  • ‘Restless’ Review: A bass-blasted neighborly nightmare

    ‘Restless’ Review: A bass-blasted neighborly nightmare

  • ‘She Rides Shotgun’ Review: Broken people, unbreakable bond

    ‘She Rides Shotgun’ Review: Broken people, unbreakable bond

  • ‘The Naked Gun’ (2025) Review: Comedy this dumb shouldn’t be this good

    ‘The Naked Gun’ (2025) Review: Comedy this dumb shouldn’t be this good

  • ‘Together’ Review: Love hurts, but this one leaves scars

    ‘Together’ Review: Love hurts, but this one leaves scars

  • ‘Happy Gilmore 2’ Review: Adam Sandler’s legacy sequel finds its swing

    ‘Happy Gilmore 2’ Review: Adam Sandler’s legacy sequel finds its swing

  • ‘Oh, Hi!’ Review: This relationship horror story gets weird

    ‘Oh, Hi!’ Review: This relationship horror story gets weird

  • ‘The Home’ Review: A slow burn with a wildly fun finish

    ‘The Home’ Review: A slow burn with a wildly fun finish

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