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Kevin's Film Reviews

Kevin's Film Reviews

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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

by Kevin Burd August 1, 2026
‘The Odyssey’ Review: Nolan conquers unadaptable epic

‘The Odyssey’ Review: Nolan conquers unadaptable epic

by Kevin Burd July 18, 2026
‘Toy Story 5’ Review: Timely story about play in the digital age

‘Toy Story 5’ Review: Timely story about play in the digital age

by Kevin Burd June 19, 2026
‘Michael’ Review: All music, no depth

‘Michael’ Review: All music, no depth

by Kevin Burd April 24, 2026
‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

by Kevin Burd April 2, 2026
‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

by Kevin Burd March 17, 2026
‘Obsession’ Review: Romance turns sinister in modern love story

‘Obsession’ Review: Romance turns sinister in modern love story

by Kevin Burd May 15, 2026
‘Backrooms’ Review: Internet creepypasta brought to life

‘Backrooms’ Review: Internet creepypasta brought to life

by Kevin Burd May 29, 2026
  • ‘The Ritual’ (2025) Review: An exorcism of originality

    ‘The Ritual’ (2025) Review: An exorcism of originality

  • ‘Materialists’ Review: A quiet search for the meaning of love

    ‘Materialists’ Review: A quiet search for the meaning of love

  • ‘F1® The Movie’ Review: Summer blockbuster thrills at full throttle

    ‘F1® The Movie’ Review: Summer blockbuster thrills at full throttle

  • ‘I Don’t Understand You’ Review: Love, laughs and something sinister in Italy

    ‘I Don’t Understand You’ Review: Love, laughs and something sinister in Italy

  • ‘The Actor’ Review: A slow-burning portrait of memory and identity

    ‘The Actor’ Review: A slow-burning portrait of memory and identity

  • ’28 Years Later’ Review: Danny Boyle’s zombie sequel lacks bite

    ’28 Years Later’ Review: Danny Boyle’s zombie sequel lacks bite

  • ‘Gazer’ Review: Paranoia from every direction

    ‘Gazer’ Review: Paranoia from every direction

  • ‘Sew Torn’ Review: A clever thriller that unravels at the edges

    ‘Sew Torn’ Review: A clever thriller that unravels at the edges

  • Ranking the ‘Friday the 13th’ Franchise: All 12 Jason Voorhees films

    Ranking the ‘Friday the 13th’ Franchise: All 12 Jason Voorhees films

  • ‘Freaky Tales’ Review: A chaotic love letter to Oakland

    ‘Freaky Tales’ Review: A chaotic love letter to Oakland

  • ‘Flight Risk’ Review: Wahlberg flies high despite bumpy ride

    ‘Flight Risk’ Review: Wahlberg flies high despite bumpy ride

  • ‘Marshmallow’ Review: A hidden gem in indie horror

    ‘Marshmallow’ Review: A hidden gem in indie horror

  • ‘Hurry Up Tomorrow’ Review: Beautiful visuals can’t mask the ego

    ‘Hurry Up Tomorrow’ Review: Beautiful visuals can’t mask the ego

  • ‘Wake Up’ Review: Indie thriller plays it too safe

    ‘Wake Up’ Review: Indie thriller plays it too safe

  • ‘From the World of John Wick: Ballerina’ Review — Ana de Armas leads a knockout revenge thriller

    ‘From the World of John Wick: Ballerina’ Review — Ana de Armas leads a knockout revenge thriller

  • ‘The Phoenician Scheme’ Review: Too many stars, not enough substance

    ‘The Phoenician Scheme’ Review: Too many stars, not enough substance

  • ‘The Severed Sun’ Review: A paranoid plunge into folk horror

    ‘The Severed Sun’ Review: A paranoid plunge into folk horror

  • ‘Dangerous Animals’ Review: It’s not the sharks you need to be afraid of

    ‘Dangerous Animals’ Review: It’s not the sharks you need to be afraid of

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