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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

by Kevin Burd August 1, 2026

‘The Odyssey’ Review: Nolan conquers unadaptable epic

‘The Odyssey’ Review: Nolan conquers unadaptable epic

by Kevin Burd July 18, 2026

‘Toy Story 5’ Review: Timely story about play in the digital age

‘Toy Story 5’ Review: Timely story about play in the digital age

by Kevin Burd June 19, 2026

‘Michael’ Review: All music, no depth

‘Michael’ Review: All music, no depth

by Kevin Burd April 24, 2026

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

by Kevin Burd April 2, 2026

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

by Kevin Burd March 17, 2026

‘Obsession’ Review: Romance turns sinister in modern love story

‘Obsession’ Review: Romance turns sinister in modern love story

by Kevin Burd May 15, 2026

‘Backrooms’ Review: Internet creepypasta brought to life

‘Backrooms’ Review: Internet creepypasta brought to life

by Kevin Burd May 29, 2026

‘My Dead Friend Zoe’ Review: Navigating trauma and loss
‘It Feeds’ Review: Therapy has never been this terrifying
‘Dead Mail’ Review: Performances keep film afloat
‘The Ugly Stepsister’ Review: An admirably gross spin on Cinderella
‘Sinners’ Review: Coogler blends drama and horror with style
‘The Luckiest Man in America’ Review: A nostalgic nod to game show oddities
‘Warfare’ Review: A loud, unshakable vision of modern war
‘The Amateur’ Review: Tension flickers in bloated spy drama
‘Drop’ Review: A first date from Hell
‘The Assessment’ Review: A dystopian pressure cooker on parenthood and identity
‘Hell of a Summer’ Review: Bryk and Wolfhard bring jokes and style in modern slasher
‘Screamboat’ Review: Fun-sized horror with a hollow core
‘A Working Man’ Review: What could go wrong? Everything
‘The Rule of Jenny Pen’ Review: Assisted-living nightmare loses focus
‘Death of a Unicorn’ Review: A genre mash-up with heart and carnage
‘The Woman in the Yard’ Review: A haunting presence shadows a family in crisis
‘Locked’ Review: Skarsgård continues to show his range
‘Ash’ Review: Style first, chaos later

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