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Kevin's Film Reviews

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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics

by Kevin Burd August 1, 2026
‘The Odyssey’ Review: Nolan conquers unadaptable epic

‘The Odyssey’ Review: Nolan conquers unadaptable epic

by Kevin Burd July 18, 2026
‘Toy Story 5’ Review: Timely story about play in the digital age

‘Toy Story 5’ Review: Timely story about play in the digital age

by Kevin Burd June 19, 2026
‘Michael’ Review: All music, no depth

‘Michael’ Review: All music, no depth

by Kevin Burd April 24, 2026
‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure

by Kevin Burd April 2, 2026
‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser

by Kevin Burd March 17, 2026
‘Obsession’ Review: Romance turns sinister in modern love story

‘Obsession’ Review: Romance turns sinister in modern love story

by Kevin Burd May 15, 2026
‘Backrooms’ Review: Internet creepypasta brought to life

‘Backrooms’ Review: Internet creepypasta brought to life

by Kevin Burd May 29, 2026
  • ‘The Luckiest Man in America’ Review: A nostalgic nod to game show oddities

    ‘The Luckiest Man in America’ Review: A nostalgic nod to game show oddities

  • ‘Warfare’ Review: A loud, unshakable vision of modern war

    ‘Warfare’ Review: A loud, unshakable vision of modern war

  • ‘The Amateur’ Review: Tension flickers in bloated spy drama

    ‘The Amateur’ Review: Tension flickers in bloated spy drama

  • ‘Drop’ Review: A first date from Hell

    ‘Drop’ Review: A first date from Hell

  • ‘The Assessment’ Review: A dystopian pressure cooker on parenthood and identity

    ‘The Assessment’ Review: A dystopian pressure cooker on parenthood and identity

  • ‘Hell of a Summer’ Review: Bryk and Wolfhard bring jokes and style in modern slasher

    ‘Hell of a Summer’ Review: Bryk and Wolfhard bring jokes and style in modern slasher

  • ‘Screamboat’ Review: Fun-sized horror with a hollow core

    ‘Screamboat’ Review: Fun-sized horror with a hollow core

  • ‘A Working Man’ Review: What could go wrong? Everything

    ‘A Working Man’ Review: What could go wrong? Everything

  • ‘The Rule of Jenny Pen’ Review: Assisted-living nightmare loses focus

    ‘The Rule of Jenny Pen’ Review: Assisted-living nightmare loses focus

  • ‘Death of a Unicorn’ Review: A genre mash-up with heart and carnage

    ‘Death of a Unicorn’ Review: A genre mash-up with heart and carnage

  • ‘The Woman in the Yard’ Review: A haunting presence shadows a family in crisis

    ‘The Woman in the Yard’ Review: A haunting presence shadows a family in crisis

  • ‘Locked’ Review: Skarsgård continues to show his range

    ‘Locked’ Review: Skarsgård continues to show his range

  • ‘Ash’ Review: Style first, chaos later

    ‘Ash’ Review: Style first, chaos later

  • ‘Last Breath’ Review: Rescue thriller puts tension beneath the surface

    ‘Last Breath’ Review: Rescue thriller puts tension beneath the surface

  • ‘Rounding’ Review: Leaves a lasting impression

    ‘Rounding’ Review: Leaves a lasting impression

  • ‘Armand’ Review: A tense schoolroom thriller about truth and trust

    ‘Armand’ Review: A tense schoolroom thriller about truth and trust

  • ‘Novocaine’ Review: A serviceable action-comedy that isn’t without flaws

    ‘Novocaine’ Review: A serviceable action-comedy that isn’t without flaws

  • ‘Mickey 17’ Review: Weird in all the right ways

    ‘Mickey 17’ Review: Weird in all the right ways

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