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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics
by
Kevin Burd
August 1, 2026
‘The Odyssey’ Review: Nolan conquers unadaptable epic
by
Kevin Burd
July 18, 2026
‘Toy Story 5’ Review: Timely story about play in the digital age
by
Kevin Burd
June 19, 2026
‘Michael’ Review: All music, no depth
by
Kevin Burd
April 24, 2026
‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure
by
Kevin Burd
April 2, 2026
‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser
by
Kevin Burd
March 17, 2026
‘Obsession’ Review: Romance turns sinister in modern love story
by
Kevin Burd
May 15, 2026
‘Backrooms’ Review: Internet creepypasta brought to life
by
Kevin Burd
May 29, 2026
‘The Wild Robot’ Review: A triumph in animation
‘One of Them Days’ Review: Palmer and SZA buddy comedy is pure fun
‘Wolf Man’ Review: Monster with an identity crisis
‘Trigger Happy’ Review: A stylish spiral into dysfunction
‘Extremely Unique Dynamic’ Review: Low-budget meta madness
‘Birdeater’ Review: A disorienting, dialogue-driven experience
‘Hazard’ Review: A gritty and compassionate look at the opioid crisis
‘The Damned’ Review: Grief and horror buried in the snow
All 146 2024 movies I saw ranked
‘A Real Pain’ Review: An emotional journey about the human experience
‘Nightbitch’ Review: Impactful story about motherhood despite never going all in
‘Nosferatu’ Review: A haunting vision with little bite
‘MadS’ Review: A one-shot, unsettling rollercoaster ride
‘The Woods Are Real’ Review: Immersive indie horror-thriller
‘Monolith’ Review: High ambitions, but small in scale
‘Here for Blood’ Review: Old-school, cheesy horror at its best
‘Box:Metaphor’ Review – Concept trapped by its own limits
‘The Seeding’ Review: An intense, isolated horror thriller
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