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‘Spider-Man: Brand New Day’ Review — Tom Holland swings back to basics
by
Kevin Burd
August 1, 2026
‘The Odyssey’ Review: Nolan conquers unadaptable epic
by
Kevin Burd
July 18, 2026
‘Toy Story 5’ Review: Timely story about play in the digital age
by
Kevin Burd
June 19, 2026
‘Michael’ Review: All music, no depth
by
Kevin Burd
April 24, 2026
‘The Super Mario Galaxy Movie’ Review: Fun but fragmented adventure
by
Kevin Burd
April 2, 2026
‘Project Hail Mary’ Review: Stunning sci-fi crowd-pleaser
by
Kevin Burd
March 17, 2026
‘Obsession’ Review: Romance turns sinister in modern love story
by
Kevin Burd
May 15, 2026
‘Backrooms’ Review: Internet creepypasta brought to life
by
Kevin Burd
May 29, 2026
‘Kill Code’ Review: AI… the movie
‘Lars Shrike Walks the Night’ Review: Existential odyssey through the unknown
‘Let Them Come’ Review: Blood-soaked cult thriller with family core
‘All Saints Day’ Review: Hope through family dysfunction
‘Pinocchio Unstrung’ Review: Practical effects bring killer puppet to life
Ranking Christopher Nolan’s 13 films (including ‘The Odyssey’)
‘The Odyssey’ Review: Nolan conquers unadaptable epic
‘The Bay’ Review: Best shark movie of 2026 so far
‘The Kidnapping of Arabella’ Review: Lost souls on the same road
‘Coin’ Review: Get-rich-quick scheme gone wrong
‘Surrender’ Review: Addiction hidden in plain sight
‘Gail Daughtry and the Celebrity Sex Pass’ Review: Hollywood gets roasted
‘The Invite’ Review: Hilarious and heartbreaking marriage story
‘The Isolate Thief’ Review: Bleak western thriller about survival and sin
‘The Town That Takes’ Review: Croatoan folklore explored through slow-burn horror
‘You’re Dead to Me’ Review: Gen Z slasher with more drama than horror
‘The Leaching’ Review: Not enough leech, plenty of horror
‘40 Dates and 40 Nights’ Review: Easygoing romance with endearing characters
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